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Lyrische Symphonie, Op. 18: 2. Lebhaft "Mutter, der junge Prinz muß an unserer Türe vorbeikommen" by __unknown__ - 74 BPM
74 BPM

Lyrische Symphonie, Op. 18: 2. Lebhaft "Mutter, der junge Prinz muß an unserer Türe vorbeikommen"

__unknown__ • 4,832 Followers
Album: Zemlinsky: Lyric Symphony Released: 01 Jan 1982 Genre: contemporary classical

Released by __unknown__, Lyrische Symphonie, Op. 18: 2. Lebhaft \"Mutter, der junge Prinz muß an unserer Türe vorbeikommen\" is a standout song. With a steady 74 BPM, DJs can double-time it to 148 BPM. This track is a perfect example of contemporary classical music. The track runs 3:20 long.

0:00 / 0:30

BPM

74

Beats Per Minute

Key (Camelot)

N/A

A Major

Time Signature

4/4

Common Time

  • Duration 3:20
  • Energy 20%
  • Danceability 27%
  • Valence 12%
  • Loudness -18.9 dB
  • Rel. Date 1 Jan 1982
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Audio Features

Lyrische Symphonie, Op. 18: 2. Lebhaft "Mutter, der junge Prinz muß an unserer Türe vorbeikommen"

Key Information

8B
  • Camelot: N/A
  • Key: A Major
  • Relative Key: F♯/G♭ Minor

Best Matches (Harmonic Mixing)

N/A

Compatible Keys

N/A

BPM History

74 BPM

1:45

Section Breakdown

Detailed section analysis not available yet.

Lyrics

Lyrics not available.

FAQ

What is the BPM of Lyrische Symphonie, Op. 18: 2. Lebhaft "Mutter, der junge Prinz muß an unserer Türe vorbeikommen"?
The track Lyrische Symphonie, Op. 18: 2. Lebhaft "Mutter, der junge Prinz muß an unserer Türe vorbeikommen" has a tempo of 74 BPM.
What is the key of Lyrische Symphonie, Op. 18: 2. Lebhaft "Mutter, der junge Prinz muß an unserer Türe vorbeikommen"?
The song is played in N/A.
How long is Lyrische Symphonie, Op. 18: 2. Lebhaft "Mutter, der junge Prinz muß an unserer Türe vorbeikommen"?
The duration of the song is 3:20.
What genre is Lyrische Symphonie, Op. 18: 2. Lebhaft "Mutter, der junge Prinz muß an unserer Türe vorbeikommen"?
The song Lyrische Symphonie, Op. 18: 2. Lebhaft "Mutter, der junge Prinz muß an unserer Türe vorbeikommen" belongs to the contemporary classical genre.

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